{"id":6119,"date":"2019-12-11T17:15:47","date_gmt":"2019-12-11T16:15:47","guid":{"rendered":"http:\/\/agora.xtec.cat\/institutcanplanas\/?p=6119"},"modified":"2019-12-11T17:15:47","modified_gmt":"2019-12-11T16:15:47","slug":"human-bodies-i-osamu-tezuka","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/institutcanplanas\/portada\/human-bodies-i-osamu-tezuka\/","title":{"rendered":"Human Bodies i Osamu Tezuka"},"content":{"rendered":"

Aquest mat\u00ed, els alumnes de tercer d’ESO han fet una visita a Barcelona per tal de poder gaudir de l’exposici\u00f3 Human Bodies<\/strong><\/a> a Les Arenes i de les exposicions sobre l’obra del dibuixant de manga Osamu Tezuka<\/strong><\/a> i el fot\u00f2graf barcelon\u00ed Oriol Maspons<\/strong><\/a>.<\/p>\n

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Gaireb\u00e9 uns 200 originals de l’artista japon\u00e8s Osamu Tezuka, conegut com a D\u00e9u del Manga per la seva aportaci\u00f3 a la vinyeta japonesa, es podran veure en aquesta mostra que dona a con\u00e8ixer l\u2019obra d\u2019un creador imprescindible per entendre l\u2019evoluci\u00f3 del manga despr\u00e9s de la Segona Guerra Mundial, i tamb\u00e9 un dels autors de c\u00f2mic m\u00e9s prestigiosos i prol\u00edfics en l’\u00e0mbit mundial.<\/p>\n

Tot i que el manga forma part de la gran fam\u00edlia del c\u00f2mic, una s\u00e8rie d\u2019elements est\u00e8tics i narratius l’identifiquen amb el c\u00f2mic fet al Jap\u00f3. Osamu Tezuka va donar forma al manga modern quan va comen\u00e7ar a publicar manga poc despr\u00e9s de la guerra. El 1947, el manga Shin Takarajima (publicat en castell\u00e0 com a La nueva isla del tesoro) es va convertir en un \u00e8xit. Se’n van vendre m\u00e9s de 400.000 c\u00f2pies, en una \u00e8poca on comprar manga era un luxe. La seva obra va sorprendre per una narrativa visual molt innovadora, que s\u2019inspirava en el cinema i l\u2019animaci\u00f3, i que aportava una velocitat i un moviment que poques vegades s\u2019havien vist en un c\u00f2mic. Eren hist\u00f2ries llargues i amb gran desenvolupament, que es van batejar com a story-manga, que contrastaven amb el manga d\u2019humor, explicat en poques p\u00e0gines o vinyetes.<\/p>\n

Aquesta obra i les seg\u00fcents van tenir un gran impacte en molts lectors que van decidir convertir-se ells tamb\u00e9 en mangaka: autors de manga. La influ\u00e8ncia de Tezuka va ser molt important en tota una s\u00e8rie d\u2019autors que acabarien liderant la ind\u00fastria del manga en les seg\u00fcents d\u00e8cades: noms com el duet Fujiko Fujio (creadors de Doraemon), Shotaro Ishinomori (autor amb el r\u00e8cord Guinness de p\u00e0gines de c\u00f2mic publicades) o Yoshihiro Tatsumi (un dels autors principals del gekiga), aix\u00ed ho van recon\u00e8ixer. I, a dia d\u2019avui, en les creacions m\u00e9s actuals, encara n’hi ha ressons.<\/p>\n

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Primera gran exposici\u00f3 retrospectiva sobre l\u2019obra del fot\u00f2graf barcelon\u00ed Oriol Maspons que permetr\u00e0 fer un recorregut per m\u00e9s de quatre d\u00e8cades d\u2019intensa activitat en els camps del reportatge, el retrat, la moda i la publicitat, contextualitzant-ne la producci\u00f3 i donant suport a la recerca en la recuperaci\u00f3 de material documental \u2013llibres, revistes, car\u00e0tules de discos, etc.\u2013, per con\u00e8ixer tamb\u00e9 el dest\u00ed final de les fotografies de l\u2019autor.<\/p>\n

Oriol Maspons va exercir un paper clau en la renovaci\u00f3 del llenguatge fotogr\u00e0fic a Espanya a les d\u00e8cades de 1950 i 1960. Primer des de l\u2019\u00e0mbit de la fotografia amateur. Maspons va ingressar el 1951 a l\u2019Agrupaci\u00f3 Fotogr\u00e0fica de Catalunya. El 1955 es va traslladar a Par\u00eds, on freq\u00fcentava els ambients fotogr\u00e0fics. En retornar a Barcelona, va esdevenir professional i va formar societat amb Julio Ubi\u00f1a. Es va dedicar al reportatge, al retrat, a la moda i a la publicitat. Va treballar per a \u00abLa Gaceta Ilustrada\u00bb, \u00abL’Oeil\u00bb, \u00abParis Match\u00bb, \u00abBoccaccio\u00bb, \u00abExpression\u00bb, \u00abElle\u00bb, etc. Va publicar una gran quantitat de llibres, entre els quals destaquen els editats per Lumen a la col\u00b7lecci\u00f3 Palabra e Imagen: \u00abToreo de sal\u00f3n\u00bb, amb Julio Ubi\u00f1a i textos de Camilo Jos\u00e9 Cela; \u00abLa caza de la perdiz roja\u00bb, amb textos de Miguel Delibes, i \u00abPoeta en Nueva York\u00bb, sobre poemes de Lorca.<\/p>\n

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Aquest mat\u00ed, els alumnes de tercer d’ESO han fet una visita a Barcelona per tal de poder gaudir de l’exposici\u00f3 Human Bodies a Les Arenes i de les exposicions sobre l’obra del dibuixant de manga Osamu Tezuka i el fot\u00f2graf barcelon\u00ed Oriol Maspons.<\/p>\n","protected":false},"author":1,"featured_media":6120,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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