{"id":17394,"date":"2024-11-20T00:19:33","date_gmt":"2024-11-19T23:19:33","guid":{"rendered":"https:\/\/agora.xtec.cat\/iesramoncoll\/?p=17394"},"modified":"2024-11-20T00:19:33","modified_gmt":"2024-11-19T23:19:33","slug":"timbre-musical-programacio-138","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iesramoncoll\/general\/timbre-musical-programacio-138\/","title":{"rendered":"Timbre musical (programaci\u00f3 138)"},"content":{"rendered":"<p style=\"text-align: justify;\">Aquesta setmana, el timbre dels canvis horaris el dediquem a la m\u00fasica cl\u00e0ssica.<\/p>\n<p style=\"text-align: justify;\">M\u00fasica cl\u00e0ssica, o m\u00fasica acad\u00e8mica, s\u00f3n termes de sentit ampli i divers. Normalment, aquest apel\u00b7latiu fa refer\u00e8ncia a la m\u00fasica, tant religiosa com secular, produ\u00efda o arrelada a les tradicions occidentals i que abasta un ampli per\u00edode que va, aproximadament, des del segle IX fins a l&#8217;actualitat.<\/p>\n<p style=\"text-align: justify;\">A continuaci\u00f3, teniu els temes escollits i la seva distribuci\u00f3 hor\u00e0ria:<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #333399;\"><strong>Tema del marc horari (8:15 i 14:55):<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"hiddenSpellError\"><span style=\"color: #000000;\"><span style=\"color: #3366ff;\"><i>Primavera: allegro (Les quatre estacions)<\/i><\/span>, d&#8217;Antonio Vivaldi. Aquest \u00e9s el primer moviment d&#8217;un conjunt de quatre concerts per a viol\u00ed compostos el 1723 pel mestre veneci\u00e0. \u00c9s l&#8217;obra m\u00e9s coneguda de Vivaldi i una de les m\u00e9s populars de tota la m\u00fasica cl\u00e0ssica. <em>Les quatre estacions<\/em> es pot classificar com a m\u00fasica pragm\u00e0tica, un tipus de m\u00fasica instrumental destinada a evocar elements extramusicals i una forma de compondre que Vivaldi demostraria com a prou desenvolupada per ser presa seriosament.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/7DBIR30ks64\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #333399;\"><strong>Tema entre classes (9:15, 11:35 i 13:55).<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #3366ff;\"><i>El vol del borinot<\/i><\/span>, de Nikolai Rimski-K\u00f3rsakov.\u00a0 Aquesta pe\u00e7a \u00e9s un interludi orquestral que pertany a la primera escena del tercer acte de l&#8217;\u00f2pera <em>El conte del tsar <span class=\"hiddenSpellError\">Saltan<\/span><\/em>, composta pel compositor rus entre el 1899 i 1900. Es tracta d&#8217;un clar exponent del cromatisme musical.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/99rw2enFCOk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #333399;\"><strong>Tema\u00a0dels patis (10:15, 10:35, 12:35 i 12:55).<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span style=\"color: #3366ff;\"><i>O fortuna (Carmina Burana)<\/i><\/span>, de Carl Orff. Aquesta composici\u00f3 combina de forma sorprenent els textos medievals dels Carmina Burana, una col\u00b7lecci\u00f3 de cants goliardescs dels segles XII i XIII, amb la m\u00fasica vocal i instrumental del segle XX. L&#8217;obra d&#8217;Orff, que t\u00e9 el mateix t\u00edtol que la col\u00b7lecci\u00f3 de poemes medievals, t\u00e9 forma de cantata esc\u00e8nica, i s&#8217;estren\u00e0 el 1937. El seu fragment m\u00e9s conegut \u00e9s l&#8217;O Fortuna, que constitueix la primera part del preludi i que es repeteix al final de l&#8217;obra. Per\u00f2 no es pot posar el punt final a aquest par\u00e0graf sense recomanar-vos que escolteu, de totes totes, el fragment <a href=\"https:\/\/youtu.be\/RQPZD7-Ucq8\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #3366ff;\"><em><span class=\"hiddenSpellError\">In<\/span>\u00a0<span class=\"hiddenSpellError\">trutina<\/span><\/em><\/span><\/a>. No existeix paradigma m\u00e9s n\u00edtid per copsar la bellesa esdevinguda m\u00fasica vocal.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/GXFSK0ogeg4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #666699;\">Comissi\u00f3 de Cultura del Coll i Rod\u00e9s.<\/span><\/p>\n<pre><em><span style=\"color: #808080;\">[Imagen de reclamo en portada, de<\/span> <\/em><a href=\"https:\/\/pixabay.com\/es\/users\/pexels-2286921\/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=1838390\">Pexels<\/a> <em>en<\/em> <a href=\"https:\/\/pixabay.com\/es\/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=1838390\">Pixabay<\/a><span style=\"color: #808080;\">]<\/span><\/pre>\n","protected":false},"excerpt":{"rendered":"<p>Aquesta setmana, el timbre dels canvis horaris el dediquem a la m\u00fasica cl\u00e0ssica.<br \/>\nM\u00fasica cl\u00e0ssica, o m\u00fasica acad\u00e8mica, s\u00f3n termes de sentit ampli i divers. Normalment, aquest apel\u00b7latiu fa refer\u00e8ncia a la m\u00fasica, tant religiosa com secular, produ\u00efda o arrelada a les tradicions occidentals i que&hellip;  <a href=\"https:\/\/agora.xtec.cat\/iesramoncoll\/general\/timbre-musical-programacio-138\/\" title=\"Read Timbre musical (programaci\u00f3 138)\">Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":5,"featured_media":11432,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1,29],"tags":[146,466,359],"class_list":["post-17394","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","category-portada","tag-musica","tag-timbre","tag-video"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/17394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/comments?post=17394"}],"version-history":[{"count":1,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/17394\/revisions"}],"predecessor-version":[{"id":17395,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/17394\/revisions\/17395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/media\/11432"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/media?parent=17394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/categories?post=17394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/tags?post=17394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}