{"id":16378,"date":"2024-04-06T10:00:42","date_gmt":"2024-04-06T08:00:42","guid":{"rendered":"https:\/\/agora.xtec.cat\/iesramoncoll\/?p=16378"},"modified":"2025-04-01T10:14:55","modified_gmt":"2025-04-01T08:14:55","slug":"timbre-musical-programacio-117","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iesramoncoll\/general\/timbre-musical-programacio-117\/","title":{"rendered":"Timbre musical (programaci\u00f3 117)"},"content":{"rendered":"<p style=\"text-align: justify;\">Hi ha qui diu que les bandes sonores del cinema s\u00f3n la m\u00fasica cl\u00e0ssica de la modernitat i potser no els falta ra\u00f3 per dir-ho. Sigui com sigui, la m\u00fasica d&#8217;un dels seus grans compositors, Hans\u00a0<span class=\"hiddenSpellError\">Zimmer<\/span>, ser\u00e0 la protagonista del timbre de la setmana vinent.<\/p>\n<p style=\"text-align: justify;\">Hans\u00a0<span class=\"hiddenSpellError\">Florian<\/span>\u00a0<span class=\"hiddenSpellError\">Zimmer<\/span>\u00a0\u00e9s un compositor de bandes sonores alemany que es caracteritza per la integraci\u00f3 de m\u00fasica electr\u00f2nica i arranjaments simf\u00f2nic-orquestrals. Ha estat creditor a reconeixements cinematogr\u00e0fics com els Globus d&#8217;or, BAFTA,\u00a0<span class=\"hiddenSpellError\">Emmy<\/span>, Saturn,\u00a0<span class=\"hiddenSpellError\">Grammy<\/span>, a m\u00e9s de dos Oscars de l&#8217;Acad\u00e8mia pel seu treball a El\u00a0<span class=\"hiddenSpellError\">rey<\/span>\u00a0<span class=\"hiddenSpellError\">le\u00f3n<\/span>\u00a0(1994) i\u00a0<span class=\"hiddenSpellError\">Dune<\/span>\u00a0(pel\u00b7l\u00edcula de 2021).\u00a0Actualment,\u00a0\u00e9s considerat un dels compositors m\u00e9s destacats de Hollywood, anomenat per gran part de la cr\u00edtica com \u00abl&#8217;omnipresent\u00a0<span class=\"hiddenSpellError\">Zimmer<\/span>\u00bb per les seves nombroses aparicions, sigui com a compositor principal o com a col\u00b7laborador d&#8217;algun dels seus m\u00faltiples deixebles<\/p>\n<p><strong><span style=\"color: #333399;\">Tema del marc horari (8:15 i 14:55).<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span class=\"hiddenSpellError\"><span style=\"color: #000000;\"><span style=\"color: #3366ff;\"><b><i>Now we are free<\/i><\/b>, de Hans Zimmer i Lisa Gerrard<i>.<\/i><\/span><\/span> Banda sonora original de la pel\u00b7l\u00edcula amb el mateix nom. El seu estil ha influenciat molts compositors, que van utilitzar elements com les veus harm\u00f2niques de dones i els valsos de batalla per a pel\u00b7l\u00edcules hist\u00f2riques que el van seguir.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/fd6z4lSCqgY?si=_fkAK21rx67W74iJ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #333399;\"><strong>Tema entre classes (9:15, 11:35 i 13:55).<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"hiddenSpellError\"><span style=\"color: #000000;\"><span style=\"color: #3366ff;\"><i><strong>The dark knight (main theme), <\/strong><\/i>de Hans Zimmer<\/span><\/span><\/span><strong>. <\/strong>El compositor originalment va dir que el tema principal de <em>Batman<\/em> va ser introdu\u00eft a prop\u00f2sit al final de <em>Batman\u00a0<span class=\"hiddenSpellError\">Begins<\/span><\/em>, i que, posteriorment, va ser aprofundit en la seq\u00fcela amb el desenvolupament del personatge. Tant <span class=\"hiddenSpellError\">Zimmer<\/span>\u00a0com Howard van creure que crear un tema heroic que un espectador pogu\u00e9s taral\u00b7lejar ignoraria la complexitat i la foscor del personatge. El\u00a0<span class=\"hiddenGreenError\" style=\"padding-bottom: 2px; background-image: url('..\/..\/..\/..\/..\/images\/squiggle_green.png'); background-repeat: repeat-x; background-position: left bottom; cursor: default; color: #000000; font-family: 'Open Sans', Helvetica, Arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 300; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\">tema<\/span>\u00a0de Batman (audible dues vegades al principi de la pel\u00b7l\u00edcula, una vegada cap al final i una darrera vegada al comen\u00e7ament dels cr\u00e8dits finals) crea el que\u00a0<span class=\"hiddenSpellError\">Zimmer<\/span>\u00a0va descriure com una &#8220;maniobra de distracci\u00f3&#8221;, una mena de presagi musical, tocat per un violoncel.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/iGx5a1ifSDs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #333399;\"><strong>Tema\u00a0dels patis (10:15, 10:35, 12:35 i 12:55).<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span class=\"hiddenSpellError\"><span style=\"color: #3366ff;\"><i><b>Pirates del Carib<\/b>, de Hans Zimmer<\/i><\/span><\/span><strong>. <\/strong>El compositor Alan\u00a0<span class=\"hiddenSpellError\">Silvestri<\/span>\u00a0va ser contractat originalment per escriure la partitura de\u00a0<em><span class=\"hiddenSpellError\">The<\/span>\u00a0Curse\u00a0<span class=\"hiddenSpellError\">of<\/span>\u00a0<span class=\"hiddenSpellError\">the<\/span>\u00a0Black\u00a0<span class=\"hiddenSpellError\">Pearl<\/span><\/em>. No obstant aix\u00f2, a causa de les difer\u00e8ncies creatives entre el productor\u00a0<span class=\"hiddenSpellError\">Jerry<\/span>\u00a0<span class=\"hiddenSpellError\">Bruckheimer<\/span>\u00a0i ell,\u00a0<span class=\"hiddenSpellError\">Silvestri<\/span>\u00a0va abandonar el projecte i Gore\u00a0<span class=\"hiddenSpellError\">Verbinski<\/span>\u00a0va demanar a Hans\u00a0<span class=\"hiddenSpellError\">Zimmer<\/span>, amb qui havia treballat a\u00a0<em><span class=\"hiddenSpellError\">The<\/span>\u00a0Ring<\/em>, que intervingu\u00e9s.\u00a0<span class=\"hiddenSpellError\">Zimmer<\/span>\u00a0es va negar a fer la major part de la composici\u00f3, ja que estava ocupat apuntant\u00a0<em><span class=\"hiddenSpellError\">The<\/span>\u00a0<span class=\"hiddenSpellError\">Last<\/span>\u00a0Samurai<\/em>, un projecte durant el qual va afirmar que havia prom\u00e8s no acceptar cap altra tasca. Com a resultat, va referir\u00a0<span class=\"hiddenSpellError\">Verbinski<\/span>\u00a0a\u00a0<span class=\"hiddenSpellError\">Klaus<\/span>\u00a0<span class=\"hiddenSpellError\">Badelt<\/span>\u00a0un compositor relativament nou que havia format part de\u00a0<span class=\"hiddenSpellError\">Remote<\/span>\u00a0Control\u00a0<span class=\"hiddenSpellError\">Productions<\/span>\u00a0(conegut en aquell moment com a\u00a0<span class=\"hiddenGrammarError\" style=\"padding-bottom: 2px; background-image: url('..\/..\/..\/..\/..\/images\/squiggle.png'); background-repeat: repeat-x; background-position: left bottom; cursor: default; color: #000000; font-family: 'Open Sans', Helvetica, Arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 300; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\">Media<\/span>\u00a0Ventures) durant tres anys.\u00a0<span class=\"hiddenSpellError\">Zimmer<\/span>, per\u00f2, va acabar col\u00b7laborant amb\u00a0<span class=\"hiddenSpellError\">Badelt<\/span>\u00a0per escriure la majoria dels temes principals de la partitura.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rdB13lFexNk?si=aveeehdDkzCHEGHT\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #666699;\">Comissi\u00f3 cultural.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hi ha qui diu que les bandes sonores del cinema s\u00f3n la m\u00fasica cl\u00e0ssica de la modernitat i potser no els falta ra\u00f3 per dir-ho. Sigui com sigui, la m\u00fasica d&#8217;un dels seus grans compositors, Hans\u00a0Zimmer, ser\u00e0 la protagonista del timbre de la setmana vinent.<br \/>\nHans\u00a0Florian\u00a0Zimmer\u00a0\u00e9s&hellip;  <a href=\"https:\/\/agora.xtec.cat\/iesramoncoll\/general\/timbre-musical-programacio-117\/\" title=\"Read Timbre musical (programaci\u00f3 117)\">Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":5,"featured_media":12738,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1,29],"tags":[191,146,466,359],"class_list":["post-16378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","category-portada","tag-cinema","tag-musica","tag-timbre","tag-video"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/16378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/comments?post=16378"}],"version-history":[{"count":2,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/16378\/revisions"}],"predecessor-version":[{"id":18102,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/16378\/revisions\/18102"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/media\/12738"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/media?parent=16378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/categories?post=16378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/tags?post=16378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}