{"id":14126,"date":"2023-03-27T20:33:07","date_gmt":"2023-03-27T18:33:07","guid":{"rendered":"https:\/\/agora.xtec.cat\/iesramoncoll\/?p=14126"},"modified":"2023-03-28T09:30:02","modified_gmt":"2023-03-28T07:30:02","slug":"la-nada-de-la-caravana-de-les-arts","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iesramoncoll\/general\/la-nada-de-la-caravana-de-les-arts\/","title":{"rendered":"La &#8220;Nada&#8221; de La Caravana de les Arts"},"content":{"rendered":"<div id=\"1DC2A\" style=\"width: 100%; max-width: 600px; height: 400px; display: none;\"><img decoding=\"async\" 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src=\"https:\/\/lh3.googleusercontent.com\/pw\/AMWts8BegxTw5W4eby4BOxr_dYBKFbV8Wb_7MfoonVlTyywdTT6Kr---agLRBrZlb_JzEX0r70ULb-qxw8Mr9UfONRBEqgF22cSynHuzhyBiRGJYlJERIEQ-eDxJP8exsUnoxm0FhhUJfuAc9kXPZIDeInyEwgW-c2C0JiBrVYCJ6PLC2gG-J3-aI_3SrSN_hN4Ra-UWhYWVY3Qlga_H4eu06VuWWGqrjJ-_7Tjkqnez2aKMxdLzMWpH2TM3ON6X0zlvwyCPvx0JqHFDfB8HrhjMkksi-7lZoEJhXZc1Tak3-fj3vLK1emYePg0QypFR1jjNx2k2V9-rU4B_nBdmQttU1llCo_fSHXABTDJl1p6WchqPWUKVZ9qjoN_PWVAMTVXEEhp_xtFGh7r1qtsWKt_FMxqvl3WEohlLpn2g6bMRWQB6zPUiENo9LYh-yzjgBbhFLtmBgGOPLxHwctrD48Qwv96rW9pUuiO3H7NLDKWmWRnh4qP7b1mzxmHPRMdx5BIVq5xLJuJdyo4qik3-60oB5onBOASH-EMCeYN1qshnIbTpDk58a8j6nuH430Ffvalet2I4OgnAZ5tXYTukurOGf91NV4suxtvBa5DS9YvQVAPEIdoHZWfMeE7sXK7kmdqQpB7zBri5n31OyFYQBBEaMEM5spSQQEUDIzGBib6DHPWOJmvYnMhJ4_k3mEVAx4ly0TTAsyoAo-IiwbjAwiTia1QPP8M0wkx4H90r770cpi7yqZqZ8QtUBixh2FaDrapkU35XxiOEVMpL3ySgaaBmOiJq69oSFlJD1a4bBL_UUs72DIUs4cE2rGgc4FO3IbYJQ60-oHEz2TkmkljyTnBkv_Vxm7kOAOh1JPonAzmOaIPrOwNU67p3TlqaX4rJsL121hgam0rJZTkswzPv-oZlMJ4maftpUQhgRcjt0WKZ-KAn7_FLncSVsP9AA1FwNCFX6z18MpgMH7f_hYJrh_rwoEZ402JHWf60FvlC_RnyKm5vKNCkUi3xLMt_jf-3EAOY959Ajq7BGJlFg_UWTO35alQqbvuvwnyy5YbDdC4BrvQC50SAOsvfiLYkzXv2tCX_6FToKkEieUkVq_b_bu3X75jq49_wLHZE6w=w600-h400-no--no?authuser=3\" data-link=\"https:\/\/photos.google.com\/u\/3\/share\/AF1QipNQazTmyaN7yY3lXq-ktowTM6AeVUNRuikQBnUnyXnjddrHOPm9PCjqFiKueJn3-A\/photo\/AF1QipPo4GH9K46PC4Lf_M8xcS3d5hh4zNwJD8jtQLP8?key=TUxKWmJVT2gzU1hwLXlzZ0RRTEFsM1g4M183VDBn\" \/><\/div>\n<p><script type=\"text\/javascript\" src=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/jquery\/3.6.1\/jquery.min.js\"><\/script><br \/>\n<script>\n  (MyGalleries=(typeof MyGalleries === 'undefined' ? [] : MyGalleries)).push({gallId:'#1DC2A',autoplay:true,lightbox:true,debug:false,popupLinks:true});\n  if(typeof GalleryLoaded === 'undefined'){\n    GalleryLoaded = jQuery(function(){\n      jQuery.ajax({url:'https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/galleria\/1.6.1\/galleria.min.js',dataType:'script',cache:true}).done(function(){\n        Galleria.loadTheme('https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/galleria\/1.6.1\/themes\/classic\/galleria.classic.js');\n        for(var n in MyGalleries){\n          Galleria.run(MyGalleries[n].gallId, MyGalleries[n]);\n          jQuery(MyGalleries[n].gallId).css('display','block');\n        }\n      });\n    });\n  }\n<\/script><\/p>\n<p style=\"text-align: justify;\">Dimecres, 22 de mar\u00e7, els alumnes de 4t d&#8217;ESO i de 1r i 2n de batxillerat del Coll i Rod\u00e9s van assistir a la representaci\u00f3 teatral de &#8220;Nada&#8221;, la novel\u00b7la de\u00a0<span class=\"hiddenSpellError\">Carmen<\/span>\u00a0Laforet, guanyadora del primer premi Nadal l&#8217;any 1944.<\/p>\n<p style=\"text-align: justify;\">L&#8217;adaptaci\u00f3 que fa La Caravana de les Arts d&#8217;aquesta ic\u00f2nica obra aconsegueix transformar la intriga narrativa en tensi\u00f3 dram\u00e0tica, sense perdre de vista en cap moment que l&#8217;ambient de la Barcelona de postguerra que es perfila davant el lector, ara espectador, \u00e9s sempre la que dibuixa la mirada de l&#8217;Andrea, la protagonista de la hist\u00f2ria, a partir dels seus dos mons: el de la fam\u00edlia i el de la universitat.<\/p>\n<p style=\"text-align: justify;\">L&#8217;ambient viciat, tancat, claustrof\u00f2bic del pis del carrer Aribau en qu\u00e8 l&#8217;Andrea conviu dif\u00edcilment amb la seva fam\u00edlia materna es materialitza en un escenari nu, fosc, enva\u00eft per una boira omnipresent que \u00e9s transsumpte de la voluntat manipuladora de l&#8217;oncle Rom\u00e1n. El fum de les seves cigarretes transcendeix\u00a0el seu valor argumental i adquireix valor simb\u00f2lic a ulls de l&#8217;espectador.<\/p>\n<p style=\"text-align: justify;\">D&#8217;altra banda, el m\u00f3n exterior dels carrers comtals i de la universitat no t\u00e9 cabuda a l&#8217;escenari, pr\u00f2piament. L&#8217;espai lliure entre aquest i la primera fila d&#8217;espectadors s&#8217;omple d&#8217;una ambarina llum solar, que marca un contrast molt eloq\u00fcent amb la foscor de l&#8217;interior del pis. A escena, el pis \u00e9s un espai grandi\u00f3s i buit; la ciutat, en canvi, \u00e9s un espai estret, m\u00ednim.\u00a0Tanmateix, el no-res (la &#8220;nada&#8221; del t\u00edtol) que s&#8217;enduu Andrea despr\u00e9s de tot un any a la Barcelona de postguerra \u00e9s m\u00e9s una conseq\u00fc\u00e8ncia de les relacions familiars que de les amistats. Aquestes tamb\u00e9 deceben; per\u00f2, almenys, l&#8217;Ena i els seus pares s\u00f3n el nou comen\u00e7ament que s&#8217;obre al final de l&#8217;obra, just despr\u00e9s del no-res.<\/p>\n<p style=\"text-align: justify;\">Quant a la interpretaci\u00f3 dels actors i les actrius, el tret m\u00e9s destacat va ser la versatilitat. L&#8217;actor\u00a0<span class=\"hiddenSpellError\">Enzo<\/span>\u00a0<span class=\"hiddenSpellError\">Poblete<\/span>, per exemple, va representar fins a tres papers diferents, alternant l&#8217;encertada interpretaci\u00f3 d&#8217;un personatge tan central com \u00e9s l&#8217;arrogant i violent\u00a0<span class=\"hiddenSpellError\">Rom\u00e1n<\/span>\u00a0amb les caricaturitzacions de dos amics de l&#8217;Andrea: Pons i\u00a0<span class=\"hiddenSpellError\">Iturdiaga<\/span>. No es tracta de convertir aquests personatges en par\u00f2dies; les caricatures que proposa l&#8217;actor s\u00f3n de gran ajuda a l&#8217;hora de perfilar la quota que els pertoca en el no-res de la protagonista. L&#8217;obra t\u00e9 un format breu i \u00e9s obligat mostrar les ess\u00e8ncies i oblidar-se d&#8217;all\u00f2 m\u00e9s accessori.<\/p>\n<p style=\"text-align: justify;\">L&#8217;actriu Idoia Sarac\u00edbar tamb\u00e9 dona vida a m\u00e9s d&#8217;un personatge, des de l&#8217;Ena, l&#8217;amiga universit\u00e0ria i benestant de l&#8217;Andrea, fins a l&#8217;estricta tia <span class=\"hiddenSpellError\">Angustias<\/span>\u00a0i el seu lloro. Precisament, la irrupci\u00f3 en escena del lloro \u00e9s tota una troballa dramat\u00fargica, en primer lloc, perqu\u00e8 posa el contrapunt d&#8217;irrealitat al trencament de la quarta paret que t\u00e9 lloc en m\u00e9s d&#8217;una ocasi\u00f3 durant la representaci\u00f3, i, en segon lloc, perqu\u00e8 el format breu de l&#8217;obra al qual hem fet refer\u00e8ncia abans, requereix els valors simb\u00f2lics m\u00e9s eloq\u00fcents, i el lloro n&#8217;\u00e9s un,\u00a0ja que\u00a0posa de manifest la falta de llibertat i la necessitat de trobar una veu pr\u00f2pia.<\/p>\n<p style=\"text-align: justify;\">Cristina\u00a0<span class=\"hiddenSpellError\">Catal\u00e1n<\/span>\u00a0i Paco Moreno interpreten amb gran encert la relaci\u00f3 massa tempestuosa que viu el matrimoni de\u00a0<span class=\"hiddenGrammarError\">Gloria<\/span>\u00a0i\u00a0<span class=\"hiddenSpellError\">Juan<\/span>. La viol\u00e8ncia del marit, home frustrat, inestable i insegur, incapa\u00e7 de mantenir la fam\u00edlia, \u00e9s portada a escena gaireb\u00e9 des d&#8217;una est\u00e8tica fotogr\u00e0fica: a l&#8217;espectador li s\u00f3n escamotejats gaireb\u00e9 tots els moviments violents del maltractament envers la dona, per tal que sigui cadasc\u00fa qui els visualitza mentalment a partir dels gestos (tant els agressius com els defensius) de l&#8217;inici d&#8217;una bufetada, d&#8217;una empenta&#8230; La veu clamorosa de Paco Moreno en els crits constants del <span class=\"hiddenSpellError\">Juan<\/span> cap a la resta de personatges acaben de perfilar a la perfecci\u00f3 la irac\u00fandia d&#8217;aquest oncle de l&#8217;Andrea. I l&#8217;\u00e0nima interpretativa de Cristina <span class=\"hiddenSpellError\">Catal\u00e1n<\/span>\u00a0es tradueix en una\u00a0<span class=\"hiddenGrammarError\">Gloria<\/span>\u00a0dotada de car\u00e0cter, que, tot i l&#8217;adversitat, no es mostra derrotada.<\/p>\n<p style=\"text-align: justify;\">Alba Cabrera, finalment, \u00e9s qui dona vida a una t\u00edmida, pessimista, introvertida per\u00f2, sobretot, cre\u00efble Andrea. La naturalitat, fins i tot l&#8217;amor amb qu\u00e8 aquesta jove actriu encarna la protagonista fa que l&#8217;espectador empatitzi de seguida amb ella. He llegit en m\u00e9s d&#8217;una ocasi\u00f3 la novel\u00b7la de <span class=\"hiddenSpellError\">Carmen<\/span>\u00a0Laforet i molt probablement tornar\u00e9 a fer-ho aquest estiu. En qualsevol cas, s\u00e9 fefaentment que a partir d&#8217;ara el rostre de l&#8217;Andrea ser\u00e0 el de l&#8217;Alba. I el seu ball, tamb\u00e9.<\/p>\n<p>Per cert, bon Dia Mundial del Teatre, a tothom.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dimecres, 22 de mar\u00e7, els alumnes de 4t d&#8217;ESO i de 1r i 2n de batxillerat del Coll i Rod\u00e9s van assistir a la representaci\u00f3 teatral de &#8220;Nada&#8221;, la novel\u00b7la de\u00a0Carmen\u00a0Laforet, guanyadora del primer premi Nadal l&#8217;any 1944.<br \/>\nL&#8217;adaptaci\u00f3 que fa La Caravana de les Arts&hellip;  <a href=\"https:\/\/agora.xtec.cat\/iesramoncoll\/general\/la-nada-de-la-caravana-de-les-arts\/\" title=\"Read La &#8220;Nada&#8221; de La Caravana de les Arts\">Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":5,"featured_media":14163,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[323,324,8,256,205,3,7,110,1,29],"tags":[145,188,39,40],"class_list":["post-14126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bat-1","category-bat-2","category-batxillerat","category-castella","category-entorn","category-eso","category-eso-4","category-extraescolars","category-general","category-portada","tag-literatura","tag-narracio","tag-sortides","tag-teatre"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/14126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/comments?post=14126"}],"version-history":[{"count":3,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/14126\/revisions"}],"predecessor-version":[{"id":14164,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/posts\/14126\/revisions\/14164"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/media\/14163"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/media?parent=14126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/categories?post=14126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesramoncoll\/wp-json\/wp\/v2\/tags?post=14126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}