{"id":16145,"date":"2022-12-05T10:53:25","date_gmt":"2022-12-05T09:53:25","guid":{"rendered":"https:\/\/agora.xtec.cat\/iesllica\/?p=16145"},"modified":"2022-12-05T10:53:29","modified_gmt":"2022-12-05T09:53:29","slug":"tercer-va-a-lauditori-de-barcelona","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iesllica\/eso\/tercer-va-a-lauditori-de-barcelona\/","title":{"rendered":"TERCER VA A L&#8217;AUDITORI DE BARCELONA"},"content":{"rendered":"<p>El 30 de novembre l&#8217;alumnat de tercer va fer una immersi\u00f3 en la m\u00fasica experimental del segle XX i XXI amb l&#8217;espectacle \u00ab<span class=\"hiddenSpellError\">Out<\/span>\u00a0<span class=\"hiddenSpellError\">of<\/span>\u00a0<span class=\"hiddenSpellError\">the<\/span>\u00a0<span class=\"hiddenSpellError\">Cage<\/span>\u00bb. El concert va sorprendre per la barreja de diferents arts en la posada en escena (happening) i la manera d&#8217;aplicar les noves t\u00e8cniques compositives que fan que la m\u00fasica surti fora de la g\u00e0bia de t\u00e8cniques emprades\u00a0fins al\u00a0segle XIX (tonalitat, regularitat m\u00e8trica,\u00a0\u00fas\u00a0convencional dels instruments&#8230;) L&#8217;alumnat tamb\u00e9 va interactuar en una de les peces creant diferents sonoritats provocades pel fregament d&#8217;un llapis amb el paper. Moltes d&#8217;aquestes noves maneres experimentals de fer m\u00fasica van ser promogudes per John\u00a0<span class=\"hiddenSpellError\">Cage<\/span>, autor d&#8217;una de les obres escoltades i, en part, motiu del nom de l&#8217;espectacle.\u00a0Ben segur\u00a0que d&#8217;audici\u00f3 ser\u00e0 una bona font d&#8217;inspiraci\u00f3 per al projecte de creaci\u00f3 musical que l&#8217;alumnat est\u00e0 elaborant a l&#8217;aula de m\u00fasica.<\/p>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 50%;\"><a href=\"https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029769.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-16143\" src=\"https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029769.jpg\" alt=\"\" width=\"928\" height=\"695\" srcset=\"https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029769.jpg 928w, https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029769-300x225.jpg 300w, https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029769-768x575.jpg 768w, https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029769-200x150.jpg 200w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/><\/a><\/td>\n<td style=\"width: 50%;\"><a href=\"https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029785.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-16144\" src=\"https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029785.jpg\" alt=\"\" width=\"928\" height=\"695\" srcset=\"https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029785.jpg 928w, https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029785-300x225.jpg 300w, https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029785-768x575.jpg 768w, https:\/\/agora.xtec.cat\/iesllica\/wp-content\/uploads\/usu414\/2022\/12\/1670230029785-200x150.jpg 200w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>El 30 de novembre l&#8217;alumnat de tercer va fer una immersi\u00f3 en la m\u00fasica experimental del segle XX i XXI amb l&#8217;espectacle \u00abOut\u00a0of\u00a0the\u00a0Cage\u00bb. El concert va sorprendre per la barreja de diferents arts en la posada en escena (happening) i la manera d&#8217;aplicar les noves&hellip;  <a href=\"https:\/\/agora.xtec.cat\/iesllica\/eso\/tercer-va-a-lauditori-de-barcelona\/\" title=\"Read TERCER VA A L&#8217;AUDITORI DE BARCELONA\">Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":11,"featured_media":16143,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[3,29],"tags":[],"class_list":["post-16145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eso","category-portada"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/posts\/16145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/comments?post=16145"}],"version-history":[{"count":1,"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/posts\/16145\/revisions"}],"predecessor-version":[{"id":16146,"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/posts\/16145\/revisions\/16146"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/media\/16143"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/media?parent=16145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/categories?post=16145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesllica\/wp-json\/wp\/v2\/tags?post=16145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}