![](\"http:\/\/www.iesguillembergueda.cat\/~emrod\/fotos_noticies\/pagagnini.jpg\")
<\/center><\/p>\nNois, per si voleu comen\u00e7ar a fer boca del que veureu podeu anar a aquestes adreces:<\/p>\n
http:\/\/www.youtube.com\/watch?v=tmoYsHoYpZs<\/a>. EL PROGRAMA: \u0095 Fantas\u00eda sobre Carmen Op. 25, de Pablo Sarasate. \u0095 Dansa espanyola del drama l\u00edric \u0093la vida breve\u0094, de Manuel de Falla. \u0095 Minuet en Mi Major Op. 13 n\u00fam. 5, de Luigi Boccherini. \u0095 Canon en Re Major T. 337, de Johann Pachelbel. \u0095 Raps\u00f2dia n\u00fam. 3 Op. 1 del quartet Pagagnini (M\u00fasica Contempor\u00e0nia). \u0095 Yumeji\u0092s Theme de Shigeru Umebayashi. \u0095 Concert per a viol\u00ed n\u00fam. 3 en Sol Major KV217, de Wolfgang Amadeus Mozart. \u0095 Preludi n\u00fam. 4 Op. 28 en Mi menor, de Frederic Chopin. \u0095 Caprici n\u00fam. 5. Op. 1 en La menor, de Nicolo Paganini. \u0095 La Javanaise, de Serge Gainsbourg. \u0095 Caprici n\u00fam. 24. Op. 1 en La menor, de Nicolo Paganini. <\/p>\n ARA MALIKIAN, sense dubte, \u00e9s un dels violinistes m\u00e9s brillants i expressius de la seva generaci\u00f3. Amb un estil peculiar i propi, forjat a partir dels seus or\u00edgens i de les experi\u00e8ncies musicals viscudes, el seu viol\u00ed s\u0092al\u00e7a com una de les veus m\u00e9s originals i innovadores del moment. Nascut al L\u00edban en el si d\u0092una fam\u00edlia arm\u00e8nia, Ara Malikian s\u0092inicia en el viol\u00ed de petit, de la m\u00e0 del seu pare. D\u00f3na el seu primer concert als 12 anys i, amb 15, rep una beca del govern alemany (DAAD) per a cursar estudis a la \u0093Hochschule f\u00fcr Musik und Theater Hannover\u0094. Posteriorment, amplia els seus estudis a la \u0093Guildhall School of Music & Drama\u0094 de Londres, a m\u00e9s de rebre lli\u00e7ons d\u0092alguns dels m\u00e9s prestigiosos professors del m\u00f3n, com Franco Gulli, Ruggiero Ricci, Ivri Gitlis, Herman Krebbers, entre d\u0092altres. Una inesgotable inquietud musical i humana l\u0092han condu\u00eft a aprofundir en les seves pr\u00f2pies arrels arm\u00e8nies i a assimilar la m\u00fasica d\u0092altres cultures de l\u0092Orient Mitj\u00e0 (\u00e0rab i jueva), centre-europea (gitana i kletzmer), d\u0092Argentina (tango) i d\u0092Espanya (flamenc). I tot, dins d\u0092un llenguatge molt personal en el qual s\u0092han acompanyat la for\u00e7a r\u00edtmica i emocional d\u0092aquestes m\u00fasiques amb el virtuosisme i l\u0092expressivitat de la gran tradici\u00f3 cl\u00e0ssica europea. Tant la qualitat com el nivell com a violinista li han estat reconegudes en nombrosos concursos de prestigi mundial.<\/p>\n La sortida es far\u00e0 d’11h a 13h i els professors acompanyants seran els seg\u00fcents: El proper dijous, dia 27 de novembre, els alumnes de 1r i 3r d’ESO del nostre Centre es despla\u00e7aran al Teatre Municipal de Berga per tal d’assistir a la representaci\u00f3 de l’obra “Pagagnini”, de la companyia Producciones Yllana i el violinista Ara Malikian. Nois, per si voleu comen\u00e7ar a fer boca del que veureu podeu […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[3,29],"tags":[],"class_list":["post-153","post","type-post","status-publish","format-standard","hentry","category-eso","category-portada"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/posts\/153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/comments?post=153"}],"version-history":[{"count":1,"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/posts\/153\/revisions"}],"predecessor-version":[{"id":2083,"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/posts\/153\/revisions\/2083"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/media?parent=153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/categories?post=153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesguillembergueda\/wp-json\/wp\/v2\/tags?post=153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nhttp:\/\/www.youtube.com\/watch?v=EumtR1rKQNk<\/a>.<\/p>\n
\nLa trama argumental d\u0092aquesta obra comen\u00e7a quan un quartet de corda es disposa a oferir un concert de repertori cl\u00e0ssic, per\u00f2 els seus integrants no semblen entendre\u0092s del tot i els conflictes entre ells emergeixen en plena actuaci\u00f3. Podr\u00edem qualificar-lo de concert esbojarrat i fren\u00e8tic, en el qual els quatre m\u00fasics competeixen entre ells per assolir \u0093el recital perfecte\u0094. L\u0092argument s\u0092enlla\u00e7a mitjan\u00e7ant una s\u00e8rie de gags, \u0093marca Yllana\u0094, en els quals cadascun dels m\u00fasics, a m\u00e9s, interpreta un personatge. Pagagnini est\u00e0 concebut com un espectacle gestual i musical, sense di\u00e0legs, en el transcurs del qual es van interpretant composicions de grans genis de la talla de Mozart, Pachelbel, Chopin, Boccherini, Paganini, Falla\u0085, per\u00f2 que tamb\u00e9 s\u0092apropa a g\u00e8neres musicals \u0093populars\u0094, convertint el viol\u00ed en altres improvisats instruments. El repte de Pagagnini \u00e9s apropar la m\u00fasica cl\u00e0ssica al p\u00fablic, despullant-la de la seva serietat i solemnitat habitual gr\u00e0cies a l\u0092encert de la comicitat i la par\u00f2dia. <\/p>\n
\nQueralt Santandreu.
\nElena Zamora.
\nIgnasi Besora.
\nIsabel Roca.
\nPere Camprub\u00ed.
\nV\u00edctor Esgueva.
\nMontse Reguant.
\nGemma Monta\u00f1\u00e0.
\nSandra Pino.<\/p>\n","protected":false},"excerpt":{"rendered":"