{"id":3756,"date":"2019-06-18T12:51:15","date_gmt":"2019-06-18T10:51:15","guid":{"rendered":"http:\/\/agora.xtec.cat\/iesgoya\/?p=3756"},"modified":"2019-06-19T09:10:58","modified_gmt":"2019-06-19T07:10:58","slug":"1r-eso-modrian-al-credit-variable-pintem-un-quadre","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iesgoya\/general\/1r-eso-modrian-al-credit-variable-pintem-un-quadre\/","title":{"rendered":"1r eso: Mondrian al cr\u00e8dit variable &#8220;Pintem un quadre&#8221;"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/e\/2PACX-1vT-7Hoxg3dhT3Tmqd5UDd9E9Mm84kAwopn6Xwuka8_Zhwky8jhADPbTMida98UXGVX0sPZ0-IyMUYbf\/embed?start=true&amp;loop=true&amp;delayms=3000\" width=\"350\" height=\"215\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe> <iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/fWDfxgngrNc\" width=\"400\" height=\"215\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: justify;\">En aquest Cr\u00e8dit Variable hem treballat el pintor holand\u00e8s, Piet Mondrian (1872-1944), que va abandonar conscientment la figuraci\u00f3 i es va iniciar cap a l\u2019abstracci\u00f3 geom\u00e8trica pura. Va ser el creador d\u2019un nou estil art\u00edstic: el Neoplasticisme. \u00a0La seva influ\u00e8ncia en l\u2019art, la publicitat i la tipografia moderna ha estat indiscutible. Per a Mondrian, la Nova Est\u00e8tica consistia en la uni\u00f3 de totes les arts.<\/p>\n<p style=\"text-align: justify;\">El pintor simplifica les formes fins a l\u2019extrem d\u2019utilitzar nom\u00e9s l\u00ednies horitzontals (sensaci\u00f3 de rep\u00f2s) i l\u00ednies verticals (sensaci\u00f3 de vitalitat). Cerca l\u2019harmonia de l\u00ednies i colors. Utilitza nom\u00e9s colors primaris (blau, groc i vermell) i colors neutres (blanc, gris i negre).<\/p>\n<p style=\"text-align: justify;\">Va ser un gran amant de la m\u00fasica com el Jazz o el Boogie-Woogie.\u00a0 La improvisaci\u00f3 d\u2019aquest tipus de m\u00fasica va ser-li de gran inspiraci\u00f3. El ritme de colors primaris, \u00e0rees i l\u00ednies el podem veure en obres com la que els alumnes de 1er d\u2019ESO han pintat. El \u201c<em>Victory Boogie-Woogie\u201d, <\/em>creada el 1944, va ser la seva darrera obra.<\/p>\n<p style=\"text-align: justify;\">A m\u00e9s, hem realitzat quinze \u201cpetits\u201d Mondrian que s\u00f3n un recull de composicions de l\u2019artista. Cada alumne n\u2019ha fet un. Pr\u00e8viament havien fet un esb\u00f3s amb paper d\u2019aquarel\u00b7la per familiaritzar-se amb l\u2019obra.<\/p>\n<p style=\"text-align: justify;\">Els alumnes han pogut treballar l\u2019aspecte col\u00b7laboratiu de l&#8217;art, descobrir la racionalitat en la pintura, l\u2019equilibri, la psicomotricitat fina, la paci\u00e8ncia. Tamb\u00e9 s\u2019han familiaritzat amb la pintura acr\u00edlica, els tipus de pinzells, les paletes, les tel\u00b7les. Ha fet falta organitzar-se en grups i de tant en quant montar l\u2019obra per controlar-ne l\u2019encaix.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ufeff \ufeff<br \/>\nEn aquest Cr\u00e8dit Variable hem treballat el pintor holand\u00e8s, Piet Mondrian (1872-1944), que va abandonar conscientment la figuraci\u00f3 i es va iniciar cap a l\u2019abstracci\u00f3 geom\u00e8trica pura. Va ser el creador d\u2019un nou estil art\u00edstic: el Neoplasticisme. \u00a0La seva influ\u00e8ncia en l\u2019art, la publicitat&hellip;  <a href=\"https:\/\/agora.xtec.cat\/iesgoya\/general\/1r-eso-modrian-al-credit-variable-pintem-un-quadre\/\" title=\"Read 1r eso: Mondrian al cr\u00e8dit variable &#8220;Pintem un quadre&#8221;\">Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":3763,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1,29],"tags":[177],"class_list":["post-3756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","category-portada","tag-expressio-visual-i-plastica"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/posts\/3756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/comments?post=3756"}],"version-history":[{"count":3,"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/posts\/3756\/revisions"}],"predecessor-version":[{"id":3768,"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/posts\/3756\/revisions\/3768"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/media\/3763"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/media?parent=3756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/categories?post=3756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesgoya\/wp-json\/wp\/v2\/tags?post=3756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}