{"id":1892,"date":"2012-04-09T21:38:00","date_gmt":"2012-04-09T19:38:00","guid":{"rendered":"http:\/\/agora.xtec.cat\/iescasablancas\/general\/figures-retoriques\/"},"modified":"2012-04-09T21:38:00","modified_gmt":"2012-04-09T19:38:00","slug":"figures-retoriques","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iescasablancas\/general\/figures-retoriques\/","title":{"rendered":"Figures ret\u00f2riques"},"content":{"rendered":"

<\/p>\n

Al\u00b7literaci\u00f3<\/span>
Repetici\u00f3 volguda d\u2019uns mateixos sons al llarg d\u2019uns versos<\/span><\/p>\n

<\/p>\n\n\n\n
Xoca l\u2019embruix de clenxes arrauxades
amb un esqueix de xarpelleres fluixes.
S\u2019eixamplen les eixides enxubades,
s\u2019aixequen eixams de moixes bruixes.<\/span><\/td>\n

<\/p>\n

\n

Repetici\u00f3 del so palatal sord<\/span><\/span><\/em><\/p>\n

ABECEDARI<\/span><\/a> (“X”)<\/span><\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n

An\u00e0fora<\/span>
Repetici\u00f3 del mateix mot o grups de mots al comen\u00e7ament de determinats versos o estrofes per refor\u00e7ar el sentit i donar-li simetria.<\/span><\/p>\n\n\n\n
\n

Enrere, molt enrere,
hi ha una closa entre parets…<\/span><\/p>\n

Enrere, molt enrere,
hi ha un cam\u00ed de profundes roderes…<\/span><\/p>\n<\/td>\n

\n

Repetici\u00f3 de l’expressi\u00f3: “Enrere, molt enrere” a l’inici de cada estrofa<\/span><\/span><\/em><\/p>\n

CRONOLOGIA <\/span><\/a>(“Record”)<\/span><\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Ant\u00edtesi<\/span>
Oposar en una mateixa frase dos mots, pensaments o expressions de sentit contrari.<\/span><\/p>\n\n\n\n
tindreu els ulls vessant
i les mans buides!<\/span><\/span><\/td>\n		\n

Oposici\u00f3 dels termes: “vessant-buides”<\/span><\/em><\/span><\/p>\n

<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

As\u00edndeton<\/span>
Supressi\u00f3 de les part\u00edcules relacionants (especialment conjuncions copulatives).<\/span><\/p>\n\n\n\n
Veieren el mot anorreat,
desfet,
tancat,
blasmat,
privat de l\u2019aire l\u2019envolta.<\/span><\/td>\n		\n

En la seq\u00fc\u00e8ncia d’adjectius s’ha eliminat la conjunci\u00f3 “i” abans del darrer terme.<\/span><\/em><\/p>\n

PER SEMPRE LA MEM\u00d2RIA<\/a> (“Feu-ne esment”)<\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Comparaci\u00f3<\/span>
Establiment d\u2019una relaci\u00f3 d\u2019analogia o semblan\u00e7a (de forma, de funci\u00f3, de mida, de color) entre l\u2019objecte real de qu\u00e8 es parla i un objecte imaginat per l\u2019autor.<\/span><\/p>\n\n\n\n
La pell del mar, de mocadors farcida,
sembla guarnir-se per al nostre comiat.<\/span><\/td>\n		\n

El segon vers cont\u00e9 una comparaci\u00f3 evident. Noteu que el primer cont\u00e9 una met\u00e0fora: “de mocadors farcida” fa refer\u00e8ncia a les crestes blanques de les onades.<\/span><\/em><\/p>\n

ORATGES<\/span><\/a> (“Gregal”)<\/span><\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Encadenament<\/span>
Trencament for\u00e7at del discurs al final d\u2019un vers que t\u00e9 la seva continuaci\u00f3 en el posterior.<\/span><\/p>\n\n\n\n
Hem fet un cam\u00ed extens, i ja em dir\u00e0s
on \u00e9s la boira que amagava el sol.
Quin munt d\u2019instants viscuts en temps esc\u00e0s!<\/span><\/td>\n		\n

El primer vers resta susp\u00e8s en fals i segueix en el segon.<\/span><\/em><\/p>\n

CRONOLOGIA<\/span><\/a> (“Anhel”)<\/span><\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Ep\u00edtet<\/span>
Adjectiu que no aporta cap contingut significatiu essencial, m\u00e9s aviat evidencia i ressalta una caracter\u00edstica coneguda per tothom.<\/span><\/p>\n\n\n\n
Les m\u00e9s humils engrunes
no f\u00f3ren un regal?<\/span><\/td>\n		\n

Hi pot haver una cosa m\u00e9s senzilla i humil que una engruna?<\/span><\/em><\/p>\n

UN JORN, QUIN MUNT D’INSTANTS <\/span><\/a>(“Dotze”)<\/span><\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Hip\u00e8rbaton<\/span>
Consisteix en una alteraci\u00f3 for\u00e7ada de l\u2019ordre gramatical dels mots per aconseguir el ritme adequat o la m\u00e8trica desitjada.<\/span><\/p>\n\n\n\n
Ens sorpr\u00e8n aquesta ess\u00e8ncia tova
quan apareix un nou penediment
i treu el pap que la feblesa cova.<\/span><\/td>\n		\n

L’ordre sint\u00e0ctic normal del darrer vers seria: “i treu el pap que cova la feblesa”. Calia una rima consonant amb el primer vers i s’ha aconseguit alterant l’ordre.<\/span><\/em><\/p>\n

ABECEDARI<\/span><\/a> (“E”)<\/span><\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Hip\u00e8rbole<\/span>
Figura que es fonamenta en una exageraci\u00f3 evident<\/span><\/p>\n\n\n\n
Tronen els canons i,
en la dist\u00e0ncia,
esquitxen tot l\u2019espai
amb les desferres
d\u2019un poble commogut i esporuguit.<\/span><\/td>\n		\n

“Esquitxen tot l’espai amb les desferres” \u00e9s una exageraci\u00f3 evident per fer m\u00e9s expressiva la descripci\u00f3 de la guerra.<\/span><\/em><\/p>\n

<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Interrogaci\u00f3 ret\u00f2rica <\/span>
Es formula una pregunta que no espera cap mena de resposta per part de ning\u00fa.<\/span><\/p>\n\n\n\n
Alcem els ulls amunt
com qui clama a tots els astres
i la volta esdev\u00e9 un immens interrogant.
Hi som a temps encara?<\/span><\/span><\/td>\n		\n

La interrogaci\u00f3 amb qu\u00e8 es clou el poema \u00e9s una simple expressi\u00f3 de neguit, no una demanda de resposta.<\/span><\/em><\/p>\n

<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Ironia<\/span>
Consisteix a expressar una intenci\u00f3 amb una expressi\u00f3 de significat absolutament contrari creant un efecte de retret o burla.<\/span><\/p>\n\n\n\n
heu proclamat al m\u00f3n
la vostra proesa solid\u00e0ria<\/td>\n		\n

La qualificaci\u00f3 de “proesa solid\u00e0ria” amb qu\u00e8 es refereix a la decisi\u00f3 de comen\u00e7ar una guerra \u00e9s una burla de les motivacions que movien l’anomenat “Trio de les A\u00e7ores”<\/span><\/em><\/p>\n

<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Met\u00e0fora<\/span>
Figura en la qual se substitueix l\u2019objecte real per un d\u2019imaginat per l\u2019autor, amb el qual existeix una determinada analogia.<\/span><\/p>\n\n\n\n
Un trau sinu\u00f3s,
obert al mig d\u2019aquest tap\u00eds obscur,<\/span><\/td>\n		\n

El “trau sinu\u00f3s” es refereix a la lluna en quart creixent i el “tap\u00eds obscur” representa la nit.<\/span><\/em><\/p>\n

CEL D’ESTIU<\/span><\/a> (“Quart creixent”)<\/span><\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Meton\u00edmia<\/span>
Met\u00e0fora que substitueix un objecte pel nom d\u2019un altre, per\u00f2 prenent la causa per l\u2019efecte, el contingut pel continent, la mat\u00e8ria per l\u2019objecte, etc.<\/span><\/p>\n\n\n\n
La teva m\u00e0,
un dring de gla\u00e7 al vidre
i un glop daurat.
Fonem les hores lentes
i apaivaguem la nit.<\/td>\n		\n

N’hi trobem dues: “vidre” en lloc de got i “glop daurat” en substituci\u00f3 del l\u00edquid del got.<\/span><\/em><\/p>\n

UN JORN, QUIN MUNT D’INSTANTS! <\/a>(“Vint-i-quatre”)<\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Paradoxa<\/span>
Expressi\u00f3 d\u2019un enunciat cert, per\u00f2 que cont\u00e9 dos conceptes antag\u00f2nics que generen un efecte contradictori, absurd o inversemblant.<\/span><\/p>\n\n\n\n
hipnotitzat,
tan prop de tots i tan lluny de tothom
que fa basarda!<\/span><\/span><\/td>\n		\n

La contradicci\u00f3 \u00e9s nom\u00e9s aparent: “prop de tots” per l’enorme aglomeraci\u00f3 de cossos i “lluny de tothom” per la impossibilitat de comunicaci\u00f3.<\/span><\/em><\/p>\n

<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Polis\u00edndeton<\/span>
Repetici\u00f3 successiva o freq\u00fcent d\u2019una conjunci\u00f3 per donar m\u00e9s for\u00e7a a l\u2019expressi\u00f3.<\/span><\/p>\n


<\/span><\/span><\/div>\n

<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Al\u00b7literaci\u00f3Repetici\u00f3 volguda d\u2019uns mateixos sons al llarg d\u2019uns versos Xoca l\u2019embruix de clenxes arrauxadesamb un esqueix de xarpelleres fluixes.S\u2019eixamplen les eixides enxubades,s\u2019aixequen eixams de moixes bruixes. Repetici\u00f3 del so palatal sord ABECEDARI (“X”) An\u00e0foraRepetici\u00f3 del mateix mot o grups de mots al comen\u00e7ament de determinats versos o estrofes per refor\u00e7ar el sentit i donar-li simetria. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1892","post","type-post","status-publish","format-standard","hentry","category-general"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts\/1892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/comments?post=1892"}],"version-history":[{"count":0,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts\/1892\/revisions"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/media?parent=1892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/categories?post=1892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/tags?post=1892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}