{"id":1794,"date":"2011-11-09T10:10:00","date_gmt":"2011-11-09T09:10:00","guid":{"rendered":"http:\/\/agora.xtec.cat\/iescasablancas\/general\/enllacos-sobre-el-noucentisme\/"},"modified":"2011-11-09T10:10:00","modified_gmt":"2011-11-09T09:10:00","slug":"enllacos-sobre-el-noucentisme","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iescasablancas\/general\/enllacos-sobre-el-noucentisme\/","title":{"rendered":"ENLLA\u00c7OS SOBRE EL NOUCENTISME"},"content":{"rendered":"
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La poesia \u00e9s el g\u00e8nere literari que juntament amb les proses del <\/span>Glosari<\/span><\/i> de X\u00e8nius participa m\u00e9s fidelment la voluntat de construcci\u00f3 de l\u2019ideal est\u00e8tic i pl\u00e0stic del Noucentisme, determinat per l\u2019exemplaritat tem\u00e0tica i la perfecci\u00f3 formal. \u00c9s una poesia marcada per tres grans llibres inici\u00e0tics, les <\/span>Horacianes<\/span><\/i> (1906) de Miquel Costa i Llobera, <\/span>Els fruits saborosos<\/span><\/i> (1906), de Josep Carner, i <\/span>La muntanya d\u2019ametistes <\/span><\/i>(1908) de Guerau de Liost.<\/span><\/span><\/p>\n

La influ\u00e8ncia del classicisme, el paisatge, la visi\u00f3 urbana o la vida quotidiana s\u00f3n alguns dels aspectes que tracten en una evoluci\u00f3 en qu\u00e8 poesia i arts pl\u00e0stiques presenten un evident correlat tem\u00e0tic i formal. A partir de 1918, en qu\u00e8 es produeix el punt d\u2019inflexi\u00f3 en el desenvolupament del Noucentisme, la poesia adopta un to m\u00e9s introspectiu i humanitzat que es pot identificar amb la deconstrucci\u00f3 de l\u2019ideal de l\u2019est\u00e8tica de l\u2019arbitrarisme.<\/span><\/span><\/p>\n

L\u2019esperit de grup que caracteritza els poetes del Noucentisme es manifesta des de diverses plataformes, com <\/span>La Revista<\/span><\/i> (1915-1936). Dues antologies po\u00e8tiques, l\u2019<\/span>Antologia dels poetes catalans d\u2019avui<\/span><\/i> (1913), l\u2019<\/span>Antologia de poetes catalans moderns<\/span><\/i> (1914), d\u2019Alexandre Plana i l\u2019assaig sobre <\/span>Les noves valors de la poesia catalana<\/span><\/i> (1919) de Joaquim Folguera mostren el proc\u00e9s evolutiu de l\u2019ascens, la inflexi\u00f3 i la desconstrucci\u00f3 de l\u2019ideal de la poesia noucentista.<\/span><\/o:p><\/span><\/span><\/p>\n

II. CARACTER\u00cdSTIQUES<\/span><\/span><\/b><\/p>\n

. arbitrarisme, exercici de la voluntat com a transformadora de la realitat<\/span><\/span><\/p>\n

. l\u2019objectivitat expressiva<\/span><\/span><\/p>\n

. Temes: la vida quotidiana, el paisatge, els \u00e9ssers.<\/span><\/span><\/p>\n

. Llenguatge: serenitat; de la ironia a la s\u00e0tira (Carner, Guerau de Liost)<\/span><\/span><\/o:p><\/span><\/span><\/p>\n

\u25aa<\/span> <\/span><\/span><\/span>Les formes po\u00e8tiques<\/span><\/span><\/b>\u2028<\/span><\/span>. el sonet, m\u00e0xim exercici de creaci\u00f3 po\u00e8tica (Josep Carner, Josep M. L\u00f3pez-Pic\u00f3). <\/span><\/span>\u2028Tamb\u00e9 la canc\u00f3, l’epigramma…<\/span><\/span><\/p>\n

\u25aa<\/span> <\/span><\/span><\/span>Etapes<\/span><\/span><\/b>:<\/span><\/span>\u2028<\/span><\/span>. Construcci\u00f3 (1906-1918) <\/span><\/span>\u2028<\/span><\/span>L\u2019objectivitat expressiva, <\/span><\/span><\/span><\/span><\/p>\n

<\/span><\/span> Deconstrucci\u00f3 (1918- 1930)<\/span><\/span>\u2028 <\/span><\/span>Consci\u00e8ncia subjectiva: amor, mort, D\u00e9u, l\u2019infinit (Josep M. L\u00f3pez-Pic\u00f3). Lirisme, poesia pura, postsimbolisme <\/span><\/span>\u2028<\/span><\/span>La Revista<\/span><\/span><\/i> (1918-1930\u2026); Publicacions de \u201cLa Revista\u201d<\/span><\/span><\/span><\/span><\/p>\n

\u25aa<\/span> <\/span><\/span><\/span>Poetes noucentistes<\/span><\/span><\/i><\/b>\u2028: <\/span><\/span>Guerau de Liost (1878-1933)<\/span><\/span>\u2028 <\/span><\/span>Josep Carner (1884-1970)<\/span><\/span>\u2028<\/span><\/span>Josep M. L\u00f3pez-Pic\u00f3 (1886- 1959)<\/span><\/span>\u2028 <\/span><\/span>Clementina Arderiu (1889-1976)<\/span><\/span>\u2028<\/span><\/span>Joaquim Folguera (1893-1919)<\/span><\/span>\u2028<\/span><\/span>Carles Riba (1893- 1959)<\/span><\/span>\u2028<\/span><\/span>Josep M. De Sagarra (1894-1961)<\/span><\/span><\/o:p><\/span><\/span><\/p>\n

<\/span><\/span><\/span>http:\/\/www20.gencat.cat\/portal\/site\/culturacatalana\/menuitem.be2bc4cc4c5aec88f94a9710b0c0e1a0\/?vgnextoid=51b8ef2126896210VgnVCM1000000b0c1e0aRCRD&vgnextchannel=51b8ef2126896<\/span><\/a>210VgnVCM1000000b0c1e0aRCRD&vgnextfmt=detall2&contentid=067aef7fb89d7210VgnVCM1000008d0c1e0aRCRD<\/span><\/span><\/span><\/p>\n<\/div>\n

http:\/\/lletra.uoc.edu\/ca\/periode\/el-noucentisme<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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La poesia \u00e9s el g\u00e8nere literari que juntament amb les proses del Glosari de X\u00e8nius participa m\u00e9s fidelment la voluntat de construcci\u00f3 de l\u2019ideal est\u00e8tic i pl\u00e0stic del Noucentisme, determinat per l\u2019exemplaritat tem\u00e0tica i la perfecci\u00f3 formal. \u00c9s una poesia… Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":135,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1794","post","type-post","status-publish","format-standard","hentry","category-general"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts\/1794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/users\/135"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/comments?post=1794"}],"version-history":[{"count":0,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts\/1794\/revisions"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/media?parent=1794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/categories?post=1794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/tags?post=1794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}