{"id":1771,"date":"2016-03-29T11:11:00","date_gmt":"2016-03-29T09:11:00","guid":{"rendered":""},"modified":"2016-11-16T11:39:35","modified_gmt":"2016-11-16T10:39:35","slug":"1771","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iescasablancas\/general\/1771\/","title":{"rendered":""},"content":{"rendered":"<div style=\"clear: both; text-align: center;\"><a href=\"http:\/\/agora.xtec.cat\/iescasablancas\/wp-content\/uploads\/usu917\/2016\/03\/joan_vinyoli.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/agora.xtec.cat\/iescasablancas\/wp-content\/uploads\/usu917\/2016\/03\/joan_vinyoli.jpg\" \/><\/a><\/div>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\">AQUEST ABRIL LLEGIREM POESIA DE JOAN VINYOLI: <b>VENT D&#8217;ARAM.<\/b> El trobareu a edicions 62 i en aquest bloc hi anirem penjant algunes not\u00edcies.<\/span><br \/><span style=\"font-family: Arial, Helvetica, sans-serif;\">Vet aqu\u00ed un article de l&#8217;escriptor i gran coneixedor de la seva obra, Jordi Llavina:<\/span><br \/><span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span>&nbsp;    <a href=\"http:\/\/www.elpuntavui.cat\/article\/7-vista\/8-articles\/759033-vent-daram.html\">http:\/\/www.elpuntavui.cat\/article\/7-vista\/8-articles\/759033-vent-daram.html&nbsp;<\/a><\/p>\n<p>I un tastet dels seus poemes:  <a href=\"http:\/\/magpoesia.mallorcaweb.com\/vinyoli\/ventdaram.html\"><\/a> <\/p>\n<p><a href=\"http:\/\/magpoesia.mallorcaweb.com\/vinyoli\/ventdaram.html\">magpoesia.mallorcaweb.com\/vinyoli\/ventdaram.html<\/a><\/p>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\"><u>Vinyoli<\/u> concep la poesia, a la manera del poeta Carles Riba, com una eina de coneixement sobre un mateix i sobre el m\u00f3n i com una forma de realitzaci\u00f3 espiritual. La seva l\u00edrica, deutora del <u>Romanticisme&nbsp;<\/u><\/span><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">alemany i el postsimbolisme evoluciona progressivament cap a una poesia metaf\u00edsica i existencial, empeltada d&#8217;un realisme de caire experiencial i moral. La poesia \u00e9s, per a Vinyoli, una via d&#8217;arrelament en la realitat i de transcend\u00e8ncia d&#8217;aquesta i el mitj\u00e0 \u00f2ptim, de salvaci\u00f3, per superar l&#8217;estat d&#8217;indig\u00e8ncia que el poeta creu inherent a la condici\u00f3 humana.<\/span><\/span><br \/><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><br \/><\/span><\/span><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">En la seva traject\u00f2ria podem destacar dues etapes: un primera que, sota la influ\u00e8ncia de Carles Riba i Rilke, busca una veu pr\u00f2pia i indaga sobre el quefer po\u00e8tic, sobretot. I La segona etapa, que va de 1970 a 1984, \u00e9s la de maduresa i plenitud po\u00e8tiques i coincideix amb el moment de m\u00e0xim reconeixement per part de la cr\u00edtica (premis, ressenyes, lectures po\u00e8tiques&#8230;) i del p\u00fablic lector. \u00c9s tamb\u00e9 la m\u00e9s fecunda: edita un total d&#8217;onze llibres de poemes, a m\u00e9s de dos reculls d&#8217;obra po\u00e8tica,&nbsp;<\/span><em style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">Poesia completa 1937-1975<\/em><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">&nbsp;(1975) i&nbsp;<\/span><em style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">Obra po\u00e8tica 1975-1979<\/em><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">&nbsp;(1979), i dos volums de traduccions de la poesia de Rilke,&nbsp;<\/span><em style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">Versions de Rilke<\/em><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">&nbsp;(1984) i&nbsp;<\/span><em style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">Noves versions de Rilke<\/em><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">&nbsp;(1985), que apareix p\u00f2stumament. Entre 1970 i 1975, Vinyoli publica els volums&nbsp;<\/span><em style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">Tot \u00e9s ara i res<\/em><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">&nbsp;(1970),&nbsp;<\/span><em style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">Encara les paraules<\/em><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">&nbsp;(1973) i&nbsp;<\/span><em style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">Ara que \u00e9s tard<\/em><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">&nbsp;(1975), que formen un tr\u00edptic unitari, pel to desolat i pel plantejament existencialista que els caracteritza.<\/span><br style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\" \/><br style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\" \/><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\">Amb&nbsp;<\/span><em style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\"><b>Vent d&#8217;aram<\/b><\/em><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\"><b>&nbsp;(1976)<\/b>, s&#8217;inicia el darrer tombant de la seva poesia, molt intens i productiu, malgrat els constants problemes de salut. Els llibres publicats en aquests anys giren al voltant de tres eixos tem\u00e0tics: <u>l&#8217;amor, la mort i la poesia.<\/u><\/span><\/span><br \/><span style=\"font-family: Arial, Helvetica, sans-serif;\"><span style=\"background-color: white; color: #333333; font-size: 12px; line-height: 16.799999237060547px;\"><u><br \/><\/u><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p><a href=\"http:\/\/agora.xtec.cat\/iescasablancas\/wp-content\/uploads\/usu917\/2016\/03\/joan_vinyoli.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"><\/a><br \/>\nAQUEST ABRIL LLEGIREM POESIA DE JOAN VINYOLI: VENT D&#8217;ARAM. El trobareu a edicions 62 i en aquest bloc hi anirem penjant algunes not\u00edcies.Vet aqu\u00ed un article de l&#8217;escriptor i gran coneixedor de la seva obra, Jordi Llavina:&nbsp;   &hellip;  <a href=\"https:\/\/agora.xtec.cat\/iescasablancas\/general\/1771\/\" title=\"Read \">Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":135,"featured_media":1842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts\/1771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/users\/135"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/comments?post=1771"}],"version-history":[{"count":1,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts\/1771\/revisions"}],"predecessor-version":[{"id":1843,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/posts\/1771\/revisions\/1843"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/media\/1842"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/media?parent=1771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/categories?post=1771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iescasablancas\/wp-json\/wp\/v2\/tags?post=1771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}