{"id":2802,"date":"2020-03-26T13:08:16","date_gmt":"2020-03-26T12:08:16","guid":{"rendered":"http:\/\/agora.xtec.cat\/iesblume\/?p=2802"},"modified":"2020-03-26T13:08:16","modified_gmt":"2020-03-26T12:08:16","slug":"teatre-llati","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/iesblume\/portada\/teatre-llati\/","title":{"rendered":"Teatre LLat\u00ed"},"content":{"rendered":"

Dins el marc de la XXV edici\u00f3 dels festivals de teatre juvenil grecollat\u00ed, el cinc de mar\u00e7 passat l\u2019alumnat de llat\u00ed de 4t d\u2019ESO i 1r i 2n de batxillerat vam assistir a la representaci\u00f3 dels Menecmes<\/em>, de Plaute, al teatre Joventut de l\u2019Hospitalet. \u00c9s una com\u00e8dia llatina basada en el joc de situacions c\u00f2miques que provoca la confusi\u00f3 de dos bessons que, separats quan eren petits, es retroben sense saber-ho a la ciutat grega d\u2019Epidamne (la Dyrrachium romana, D\u00fcrres a l\u2019actual Alb\u00e0nia). Per aconseguir el c\u00f2ctel c\u00f2mic, als protagonistes s\u2019afegeix un par\u00e0sit, un esclau murri, una cortesana interessada, una esposa dominant i un sogre que ens desconcerta.<\/p>\n

El ritme trepidant, l\u2019embolic disbauixat, la fartanera en temps de gana, el m\u00f3n a l\u2019inrev\u00e9s \u2013l\u2019esclau \u00e9s el prudent, la dona \u00e9s la que mana- s\u00f3n motius que caracteritzen el m\u00f3n de Plaute. Els acudits i jocs de paraules de l\u2019original s\u00f3n molt dif\u00edcils de traduir, per\u00f2 s\u2019endevinaven en l\u2019intent d\u2019actualitzaci\u00f3 d\u2019una obra amb m\u00e9s de dos mil anys a l\u2019esquena.<\/p>\n

Actualitzaci\u00f3, ai! Va ser el tal\u00f3 d\u2019Aquil\u00b7les d\u2019una posta en escena notable i d\u2019un treball d\u2019actors excel\u00b7lent. Per\u00f2 va pesar molt la idea que el p\u00fablic era gent de secund\u00e0ria i la grolleria, de vegades fregant una obscenitat absent en el model, va v\u00e8ncer. Era un cam\u00ed f\u00e0cil i segur \u2013semblaven haver pensat\u2013 per guanyar la riallada del jovent.\u00a0 De deb\u00f2?<\/p>\n

Ser alumne de secund\u00e0ria no \u00e9s sin\u00f2nim de gust primari. Certament cal un cam\u00ed de preparaci\u00f3 per gaudir d\u2019obres complexes, per\u00f2 \u00e9s per aquest motiu que es dediquen algunes classes a acostar-se a un m\u00f3n lluny\u00e0, per\u00f2 que considerem valu\u00f3s: la com\u00e8dia llatina. Shakespeare almenys ho va veure aix\u00ed i la m\u00e9s breu de les seves com\u00e8dies, la dels errors o equivocacions, es va inspirar directament dels Menecmes.<\/em><\/p>\n

Nom\u00e9s Shakespeare? Un del personatges t\u00edpics de la palliata<\/em> \u00e9s el par\u00e0sit. En els Menecmes<\/em>, transformat en un transgressor Jack Sparrow, \u00e9s un dels motors de l\u2019obra. \u00a0<\/em>Pensem que no \u00e9s coincid\u00e8ncia que personatges d\u2019aquest perfil siguin els protagonistes de la pel\u00b7l\u00edcula guanyadora dels \u00f2scar 2020. Bong Joon-Ho \u2013m\u2019ho ha dit un pardalet- coneixia Plaute.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dins el marc de la XXV edici\u00f3 dels festivals de teatre juvenil grecollat\u00ed, el cinc de mar\u00e7 passat l\u2019alumnat de llat\u00ed de 4t d\u2019ESO i 1r i 2n de batxillerat vam assistir a la representaci\u00f3 dels Menecmes, de Plaute, al teatre Joventut de l\u2019Hospitalet. \u00c9s una com\u00e8dia llatina basada en el joc de situacions c\u00f2miques […]<\/p>\n","protected":false},"author":1,"featured_media":2799,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[29],"tags":[251,194,40],"class_list":["post-2802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portada","tag-llati","tag-sortida","tag-teatre"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/posts\/2802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/comments?post=2802"}],"version-history":[{"count":1,"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/posts\/2802\/revisions"}],"predecessor-version":[{"id":2803,"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/posts\/2802\/revisions\/2803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/media\/2799"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/media?parent=2802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/categories?post=2802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/iesblume\/wp-json\/wp\/v2\/tags?post=2802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}