<\/p>\n
MARIA MERC\u00c8 MAR\u00c7AL i SERRA<\/span><\/b><\/p>\n (1952-1998)<\/span><\/p>\n <\/p>\n A partir de les seves tres rebel.lions \u2013dona, de classe baixa i naci\u00f3 oprimida\u2013, Maria Merc\u00e8 Mar\u00e7al va elaborar una obra liter\u00e0ria molt personal i \u00fanica, una de les m\u00e9s importants dins de la poesia catalana del segle XX. Amb domini de la tradici\u00f3 popular i de la l\u00edrica cl\u00e0ssica, des del 1976, en qu\u00e8 el seu primer llibre va guanyar el premi Carles Riba, fins a la seva mort prematura, va construir tot un nou llenguatge per parlar de les identitats de les dones, les seves experi\u00e8ncies, les seves veus, els seus cossos, les seves genealogies i el seu ordre simb\u00f2lic. Editora, poeta, narradora i assagista, fou des del posicionament feminista, una dona amb comprom\u00eds social i consci\u00e8ncia nacional.<\/p>\n <\/p>\n DIVISA<\/em><\/strong><\/p>\n A l’atzar agraeixo tres dons: haver nascut dona,<\/em><\/p>\n de classe baixa i naci\u00f3 oprimida.<\/em><\/p>\n I el t\u00e8rbol atzur de ser tres voltes rebel.<\/em><\/p>\n <\/p>\n (Cau de llunes, <\/em>1977)<\/p>\n TOMBANT<\/em><\/strong><\/p>\n Una dona sense un home<\/em><\/p>\n \u00c9s com un peix sense bicicleta<\/em><\/p>\n \u00a0<\/em><\/p>\n (Bruixa de dol, <\/em>1979)<\/p>\n <\/p>\n [Text extret de: Exposici\u00f3 \u201cUna llengua pr\u00f2pia\u201d. Institut Catal\u00e0 de les Dones, maig del 2006]<\/p>\n [Cr\u00e8dit fotogr\u00e0fic: Montserrat Manent]<\/p>\n <\/p>\n Si vols deleitar-te amb alguns poemes m\u00e9s d\u2019aquesta gran poetessa\u2026<\/strong><\/p>\n http:\/\/www.musicadepoetes.cat\/poeta?autor=140<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
\nMARIA MERC\u00c8 MAR\u00c7AL i SERRA
\n (1952-1998)
\n
\nA partir de les seves tres rebel.lions \u2013dona, de classe baixa i naci\u00f3 oprimida\u2013, Maria Merc\u00e8 Mar\u00e7al va elaborar una obra liter\u00e0ria molt personal i \u00fanica, una de les m\u00e9s importants dins de la poesia catalana del segle XX. Amb… Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":37,"featured_media":4139,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[201,1,29],"tags":[],"class_list":["post-4138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biblioseros","category-general","category-portada"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/posts\/4138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/comments?post=4138"}],"version-history":[{"count":3,"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/posts\/4138\/revisions"}],"predecessor-version":[{"id":4175,"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/posts\/4138\/revisions\/4175"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/media\/4139"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/media?parent=4138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/categories?post=4138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/ies-seros\/wp-json\/wp\/v2\/tags?post=4138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}