{"id":1084,"date":"2025-02-18T20:49:36","date_gmt":"2025-02-18T19:49:36","guid":{"rendered":"https:\/\/agora.xtec.cat\/cfaagorasalou\/?p=1084"},"modified":"2025-02-18T20:49:36","modified_gmt":"2025-02-18T19:49:36","slug":"hitchcock-teatre-en-angles","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/cfaagorasalou\/portada\/hitchcock-teatre-en-angles\/","title":{"rendered":"HITCHCOCK – TEATRE EN ANGL\u00c8S"},"content":{"rendered":"

Despr\u00e9s de dies sense publicacions, encetem noves not\u00edcies amb un article sobre una sortida al teatre de l’alumnat d’Angl\u00e8s 1, 2 i 3 i el GESO 1 i 2. Vam anar a veure l’obra en angl\u00e8s, Hitchcock, <\/em>dels IPA Productions i gr\u00e0cies a Imaginautes!<\/p>\n

Aqu\u00ed en teniu l’argument: Quan Hitch, un jove corredor de Hollywood, t\u00e9 l’oportunitat de dirigir una pel\u00b7l\u00edcula, aconsegueix que els seus actors preferits Casey Grunt, Grice Keeley i Eddie the Extra l’ajudin a elaborar un bon gui\u00f3. Ser\u00e0 un thriller, una hist\u00f2ria d’amor o una muntanya russa a trav\u00e9s de les idees salvatges que t\u00e9 Alfie Hitchcock al cap? L’IPA presenta tot cantant, tot un musical de com\u00e8dia ballant, ambientat en el m\u00f3n del cinema de Hollywood dels anys 50, en el qual podr\u00e0s gaudir de fragments preferits de les pel\u00b7l\u00edcules m\u00e9s famoses d’Hitchcock: Psycho, Rear Window and Rope, per citar-ne nom\u00e9s algunes!<\/em><\/p>\n

L’alumnat va sortir content!! Ara toca esperar fins l’any vinent!!!<\/p>\n

Salut i teatre!!!! I l’any que ve, m\u00e9s teatre!!!!<\/p>\n

\"\"<\/a> \"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Despr\u00e9s de dies sense publicacions, encetem noves not\u00edcies amb un article sobre una sortida al teatre de l’alumnat d’Angl\u00e8s 1, 2 i 3 i el GESO 1 i 2. Vam anar a veure l’obra en angl\u00e8s, Hitchcock, dels IPA Productions i gr\u00e0cies a Imaginautes!
\nAqu\u00ed en… Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":1085,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[29],"tags":[],"class_list":["post-1084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portada"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/posts\/1084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/comments?post=1084"}],"version-history":[{"count":1,"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/posts\/1084\/revisions"}],"predecessor-version":[{"id":1088,"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/posts\/1084\/revisions\/1088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/media\/1085"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/media?parent=1084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/categories?post=1084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/cfaagorasalou\/wp-json\/wp\/v2\/tags?post=1084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}