{"id":453,"date":"2018-10-08T13:25:13","date_gmt":"2018-10-08T11:25:13","guid":{"rendered":"http:\/\/agora.xtec.cat\/ceiphortavella\/?p=453"},"modified":"2018-10-13T23:36:48","modified_gmt":"2018-10-13T21:36:48","slug":"instruments-barrocs","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/ceiphortavella\/general\/instruments-barrocs\/","title":{"rendered":"ELS INSTRUMENTS BARROCS"},"content":{"rendered":"

Aix\u00f2 \u00e9s un article de prova.<\/p>\n

La guitarra barroca \u00e9s una guitarra de l’\u00e8poca barroca, un avantpassat de la guitarra cl\u00e0ssica moderna. El terme tamb\u00e9 s’utilitza per a instruments moderns realitzats en aquest estil. L’instrument era m\u00e9s petit que una guitarra moderna, d’una construcci\u00f3 m\u00e9s lleugera, i emprava cordes de budell.\u00a0Els trasts eren tamb\u00e9 generalment d’intest\u00ed, i es lligaven al voltant del m\u00e0nec. Un instrument t\u00edpic tenia cinc\u00a0ordres<\/a>, cada un format per dues cordes separades, encara que el primer ordre (de so m\u00e9s alt) era sovint d’una sola corda, donant un total de nou o deu cordes.<\/p>\n

La tiorba \u00e9s un instrument de catorze cordes pin\u00e7ades, amb vuit de la fam\u00edlia del lla\u00fct barroc de grans dimensions, amb dos clavillers o m\u00e0necs. Va gaudir de gran favor durant els segles XVI i XVII.<\/p>\n

A finals del\u00a0segle XVIII<\/a>\u00a0desaparegu\u00e9 com a instrument de concert\u00a0 per a deixar pas a la\u00a0guitarra<\/a>.<\/sup><\/p>\n

 <\/p>\n

Adjunto 2 fotos.<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Aix\u00f2 \u00e9s un article de prova.
\nLa guitarra barroca \u00e9s una guitarra de l’\u00e8poca barroca, un avantpassat de la guitarra cl\u00e0ssica moderna. El terme tamb\u00e9 s’utilitza per a instruments moderns realitzats en aquest estil. L’instrument era m\u00e9s petit que una guitarra moderna, d’una construcci\u00f3 m\u00e9s lleugera,… Llegeix m\u00e9s\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1,50],"tags":[],"class_list":["post-453","post","type-post","status-publish","format-standard","hentry","category-general","category-musica"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/posts\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/comments?post=453"}],"version-history":[{"count":3,"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/posts\/453\/revisions"}],"predecessor-version":[{"id":798,"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/posts\/453\/revisions\/798"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/categories?post=453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceiphortavella\/wp-json\/wp\/v2\/tags?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}