{"id":2807,"date":"2019-01-17T16:27:28","date_gmt":"2019-01-17T15:27:28","guid":{"rendered":"http:\/\/agora.xtec.cat\/ceip-terranostra\/?p=2807"},"modified":"2019-01-17T16:27:28","modified_gmt":"2019-01-17T15:27:28","slug":"xerrada-del-robert-jove","status":"publish","type":"post","link":"https:\/\/agora.xtec.cat\/ceip-terranostra\/general\/xerrada-del-robert-jove\/","title":{"rendered":"XERRADA  DEL  ROBERT JOV\u00c9"},"content":{"rendered":"<p>El dilluns 5 de novembre el Robert Jov\u00e9 ens va fer una explicaci\u00f3 molt interessant i entenedora sobre els inicis del cinema fins als nostres dies.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/90ujm9O8Tdk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Idees clau extretes de la xerrada:<\/p>\n<ul>\n<li style=\"text-align: left;\">L\u2019aparici\u00f3 del cinema est\u00e0 lligat a l\u2019evoluci\u00f3 dels sistemes de projecci\u00f3: <strong>ombres xineses, cambra obscura i llanterna m\u00e0gica.<\/strong><\/li>\n<li style=\"text-align: left;\">La imatge t\u00e9 un poder diferent al de la paraula.<\/li>\n<li style=\"text-align: left;\"><strong>Edison<\/strong> va crear la primera m\u00e0quina d\u2019imatges que es mouen: el <strong>quinetoscopi (1879)<\/strong><\/li>\n<li style=\"text-align: left;\"><strong>Germans Lumi\u00e8re: <\/strong>L\u2019any 1895 fan la primera projecci\u00f3 p\u00fablica de cinema. Eren projeccions curtes, perqu\u00e8 no tenien m\u00e9s material i tampoc sabien com reaccionaria la gent.<\/li>\n<li style=\"text-align: left;\"><strong>Georges M\u00e9li\u00e8s<\/strong> que va dur el cinema al terreny de la fantasia i, per tant, com a pare del cinema tal com el coneixem avui.<\/li>\n<li style=\"text-align: left;\"><strong>Segundo de Chomon<\/strong>: Fou especialista en els trucatges del cinema, pioner de l&#8217;acolorit de films a m\u00e0.<\/li>\n<li style=\"text-align: left;\">Un dels problemes principals \u00e9s que abans no se li donava valor, es considerava una atracci\u00f3 de fira.<\/li>\n<li style=\"text-align: left;\">Les pel\u2022l\u00edcules van ser<strong> mudes<\/strong> fins el 1927. Les passaven i un pianista a la sala anava tocant i fent els efectes especials.<\/li>\n<li style=\"text-align: left;\">Hollywood \u00e9s una ciutat expressament constru\u00efda per empreses que volien fer cinema, perqu\u00e8 hi ha molt bona llum per gravar.<\/li>\n<li style=\"text-align: left;\">El m\u00e9s important del cinema \u00e9s el<strong> muntatge<\/strong>. Un bon muntatge \u00e9s millor que un bon gui\u00f3.<\/li>\n<li style=\"text-align: left;\">La sensaci\u00f3 de moviment la d\u00f3na el fet de passar la cinta. Es passen 24 fotogrames per segon.<\/li>\n<li style=\"text-align: left;\">La gent va comen\u00e7ar a valorar i a donar import\u00e0ncia al cinema i passa a incorporar-se com a set\u00e8 art cl\u00e0ssic, junt amb la pintura, l\u2019escultura, la m\u00fasica, la literatura, la dansa i el teatre.<\/li>\n<li style=\"text-align: left;\">El cinema c\u00f2mic va tenir molt \u00e8xit a Hollywood:<\/li>\n<\/ul>\n<p style=\"text-align: left;\">-Buster Keaton<\/p>\n<p style=\"text-align: left;\">&#8211; El gordo y el flaco: molt recomanada<a href=\"https:\/\/www.youtube.com\/watch?v=JDbKNQW63zE\"> <strong><u>La batalla del siglo.<\/u><\/strong><\/a><\/p>\n<p style=\"text-align: left;\">&#8211; Charles Chaplin: no nom\u00e9s fa gags. Si llegeixes b\u00e9 la pel\u2022l\u00edcula es pot llegir la pel\u2022l\u00edcula.<\/p>\n<p style=\"text-align: left;\">&#8211; La imatge t\u00e9 un poder bestial, s\u2019ha de saber llegir.<\/p>\n<p style=\"text-align: left;\">&#8211; El<strong> so<\/strong> arriba al cinema el 1927 i el color als anys 30.<\/p>\n<p style=\"text-align: left;\">&#8211; <strong>Gertie: primer dibuix animat<\/strong> del cinema, sense so ni color.<\/p>\n<p style=\"text-align: left;\">&#8211; La primera pel\u2022l\u00edcula amb muntatge va ser <strong>El gran robatori del tren.<\/strong><\/p>\n<p style=\"text-align: left;\">\n<p style=\"text-align: left;\">\n<p>\u2022\tL\u2019aparici\u00f3 del cinema est\u00e0 lligat a l\u2019evoluci\u00f3 dels sistemes de projecci\u00f3: ombres xineses, cambra obscura i llanterna m\u00e0gica.<br \/>\n\u2022\tLa imatge t\u00e9 un poder diferent al de la paraula.<br \/>\n\u2022\tEdison va crear la primera m\u00e0quina d\u2019imatges que es mouen: el quinetoscopi (1879)<br \/>\n\u2022\tGermans Lumi\u00e8re: L\u2019any 1895 fan la primera projecci\u00f3 p\u00fablica de cinema. Eren projeccions curtes, perqu\u00e8 no tenien m\u00e9s material i tampoc sabien com reaccionaria la gent.<br \/>\n\u2022\tGeorges M\u00e9li\u00e8s que va dur el cinema al terreny de la fantasia i, per tant, com a pare del cinema tal com el coneixem avui.<br \/>\n\u2022\tSegundo de Chomon: Fou especialista en els trucatges del cinema, pioner de l&#8217;acolorit de films a m\u00e0.<br \/>\n\u2022\tUn dels problemes principals \u00e9s que abans no se li donava valor, es considerava una atracci\u00f3 de fira.<br \/>\n\u2022\tLes pel\u2022l\u00edcules van ser mudes fins el 1927. Les passaven i un pianista a la sala anava tocant i fent els efectes especials.<br \/>\n\u2022\tHollywood \u00e9s una ciutat expressament constru\u00efda per empreses que volien fer cinema, perqu\u00e8 hi ha molt bona llum per gravar.<br \/>\n\u2022\tEl m\u00e9s important del cinema \u00e9s el muntatge. Un bon muntatge \u00e9s millor que un bon gui\u00f3.<br \/>\n\u2022\tLa sensaci\u00f3 de moviment la d\u00f3na el fet de passar la cinta. Es passen 24 fotogrames per segon.<br \/>\n\u2022\tLa gent va comen\u00e7ar a valorar i a donar import\u00e0ncia al cinema i passa a incorporar-se com a set\u00e8 art cl\u00e0ssic, junt amb la pintura, l\u2019escultura, la m\u00fasica, la literatura, la dansa i el teatre.<br \/>\n\u2022\tEl cinema c\u00f2mic va tenir molt \u00e8xit a Hollywood:<br \/>\n-Buster Keaton<br \/>\n&#8211; El gordo y el flaco: molt recomanada La batalla del siglo.<br \/>\n&#8211; Charles Chaplin: no nom\u00e9s fa gags. Si llegeixes b\u00e9 la pel\u2022l\u00edcula es pot llegir la pel\u2022l\u00edcula.<br \/>\n&#8211; La imatge t\u00e9 un poder bestial, s\u2019ha de saber llegir.<br \/>\n&#8211; El so arriba al cinema el 1927 i el color als anys 30.<br \/>\n&#8211; Gertie: primer dibuix animat del cinema, sense so ni color.<br \/>\n&#8211; La primera pel\u2022l\u00edcula amb muntatge va ser El gran robatori del tren.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El dilluns 5 de novembre el Robert Jov\u00e9 ens va fer una explicaci\u00f3 molt interessant i entenedora sobre els inicis del cinema fins als nostres dies. &nbsp; &nbsp; Idees clau extretes de la xerrada: L\u2019aparici\u00f3 del cinema est\u00e0 lligat a l\u2019evoluci\u00f3 dels sistemes de projecci\u00f3: ombres xineses, cambra obscura i llanterna m\u00e0gica. La imatge t\u00e9 [&hellip;]<\/p>\n","protected":false},"author":29,"featured_media":2808,"comment_status":"open","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/posts\/2807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/comments?post=2807"}],"version-history":[{"count":1,"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/posts\/2807\/revisions"}],"predecessor-version":[{"id":2809,"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/posts\/2807\/revisions\/2809"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/media\/2808"}],"wp:attachment":[{"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/media?parent=2807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/categories?post=2807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agora.xtec.cat\/ceip-terranostra\/wp-json\/wp\/v2\/tags?post=2807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}